Recharging the Sensorium: 

CSUS Presents a Writing and Multimedia Day of the Arts

Open to Students and Faculty

Thursday & Friday, April 26-27th, 2007

On the campus of Central Connecticut State University, New Britain, CT 06050

 

Introduction * Conference Program * Call for Proposals * Organizers * Links

 

INTRODUCTION

 

CSUS Systems Office (formerly CSU Systems Office) in conjunction with the Connecticut Review, the Helix and Drunkenboat.com, online journal of the arts, present a day dedicated to the conjunction of text with other media. Despite the popular image of the solitary writer in a garret, writing is not an isolated art or stand-alone skill, especially these days. Writers’ expressions of the written word regularly combine with film, music, photographs, paintings, graphic illustrations and other arts, creating new, collaborative forms of composition. Newspaper reporters' stories are brought to readers combined with photos from the field. Poets write lines to match music or find their lines set to music. Ekphrastic poetry, that is the verbal representation of visual representation, has grown exceedingly more popular. More and more, the web brings together multimedia elements with streaming audio and video, fine art photographs and paintings—and an entire generation relies on the web for their information, entertainment and encounters with the arts. Here words are almost always embedded in a multimedia environment. The combination of words and multimedia is hardly new. Since the advent of recorded history, writing has come in a multimedia form. From the "performances" of scops, gleeman and jongleurs to illuminated manuscripts, language has often conjoined with the other arts.

 

We invite students and faculty from the four CSUS campuses and local high schools to think imaginatively about writing in terms of the new, extensive multimedia reality. Recharging the Sensorium, the inaugural Writing and Multimedia Day of the Arts will be devoted to examining the multiple connections between text and other media. It will address historical contexts and investigate the use of new technologies. This conference could potentially include collaborations across various disciplines such as (but not confined to) poetry, prose, visual culture, art history, musicology, photography, graphic novels, comparative literature, media archeology, dramaturgy, film, dance, performance, and the natural and behavioral sciences.

 

CONFERENCE PROGRAM (and Schedule)

 

The conference program will include competitively selected, collaborative projects, as well as a small number of invited panelists and speakers. The conference will culminate in a keynote event that will feature the winners of Drunken Boat’s inaugural PanLiterary Awards and contributors to the most recent issue of the Connecticut Review.

 

The conference will also include panels on a variety of subjects, including editing print and online journals, multimedia processes, text and image, and the rapidly changing media environment. Accepted presenters will also have the chance to debut their work in a variety of forums—in gallery space, on stage, in interactive displays and in forums. We will encourage all participants to engage in open-ended discussions that delve into relevant issues and questions. Potential projects include slide shows, dramatic performances, film (run in a loop or featured discretely), public navigation of unusual websites, the public showing of illustrated children's books, the production of graphic novels, musical scores, or operas, choreographed sound or performance pieces, dramatized readings, intersections of visual imagery and textuality, investigations into architecture and space as it relates to other media as well as any other projects that demonstrate the cross-pollination of the arts.

 

SCHEDULE

 

Thursday, April 26th, from 5:30 pm 9:00 pm at the New Britain Museum of American Art <http://www.nbmaa.org/>

Announcing the kickoff extravaganza for the 2007 CSU Multimedia Conference, Recharging the Sensorium, to be held on the campus of Central Connecticut State University on April 27th, 2007. Featuring the winners of the highly acclaimed international online journal of the arts, Drunken Boat <http://www.drunkenboat.com>¹s inaugural PanLiterary Awards in seven genres (poetry, fiction, nonfiction, sound art, photo, video and web art). Followed by a concert of electro-acoustic music by renowned composer and performer Robert Black who will be premiering a piece by Anthony Cornicello, artistic director of SEMI. This concert is sponsored by Hartford¹s Studio for Electronic Music Inc. (SEMI) and partially funded by a grant from the Roberts Foundation. Reception and performance are free and open to the public.

Performers include the winners of the Inaugural PanLiterary Awards:

Erik Bünger (Sound)

Jason Nelson (Web Art)

Christiana Langenborg (Fiction)

John Fillwalk (Video)

Scott Withaim (Poetry)

And finalists in multiple genres: Masha Tupitsyn, Leslie McGrath, Matthew Burtner, Deborah Poe, Terri Witek, Chandra Prasad, Liliana Valenzuela, and Sean Singer. All will be introduced by Drunken Boat editors Aaron Hawn, Shawn McKinney and Ravi Shankar.

Friday, April 27th, from 8:00 am to 7:30 pm, on the campus of Central CT State University, Torp Theater <http://www.ccsu.edu>

All Day

Installations and artworks will be available around campus, including a special exhibition at the Samuel S.T. Chen Fine Arts Center, Maloney Hall, Second Floor

 

8:00 – 9:00 Registration/Opening Remarks

 

9:00-5:00 CLMP Book Fair  in Founder's Hall

 

9:00 – 10:00 First Session

Creative Panels

 

Jerry McGuire

Visual Poetry

 

Erik Bünger

Screening of 'Gospels'

 

John Sheirer

Life Lessons From a Year on the Trail

 

10:10 – 11:10 Second Session

Critical Panels

 

Laurence Petit and Catherine Labio

on Image and Text 

 

Taylor H. Loomis

on Wilkie Collins

 

Roger Bilisoly

Visual Representations of Edgar Allan Poe’s Short Stories by Computer Generated HTML Created by Statistical Text Mining

 

11:20 – 12:20 Third Session

Pedagogy Panels

 

Lisa Rowe Fraustino

Children’s Books

 

Ingrid Pruss

Teaching Poetry: A   Mind-Voice-Hands-On Art

 

Leslie Dallas

On the art of storytelling for film

 

12:30 – 1:45 Lunch/Book Fair

Launch of Directory of Connecticut Authors by Patricia D'Ascoli, Publisher, Connecticut Muse

 

1:45 – 2:45 Fourth Session

Creative/Critical Panels

 

Charles Menoche and Ron Todd

Multi-media/video Collaborative Performances

 

Christiana Langenberg

Reading of Cross-Genre Fiction

 

Edmond Chibeau and the Wordworks Group

Acme Ekphrastic Performance Poem: Australian Rules, No Holds Bard

 

3:00 – 4:00 Fifth Session  

Ekphrastic Panel #1

 

Susan Gilmore

on Anne Sexton and Her Kind

 

Rennie McQuilkin

on Ekphrastic Poetry

 

Geri Radacsi, Catherine Fellows, Julie Ribchinsky

Migrant Mother, 1936: A Dramatic Poetry Reading with Dance and Musical Interpretation/Performance

 

4:10 – 5:10 – Sixth Session

(Electronic) Publishing Panel

 

Kim Bridgford, Mezzo Cammin, <http://www.mezzocammin.com>

Matt O¹Donell, Fishouse, <http://www.fishousepoems.org/>

Ron Samul, Miranda Magazine, <http://mirandamagazine.com>

Caitlin Johnson, Fail Better <http://www.failbetter.com>

Ken Cormier, Lumberyard, <http://www.thelumberyardjournal.com/>

Ravi Shankar, Aaron Hawn and John Briggs moderate 

 

5:20 – 6:00 – Sixth Session

Ekphrastic Panel #2

 

Jim Scrimegeour and Gray Jacobik

Visual/Textual Performance

 

6:00 – 7:30 Dinner Break

 

7:30 – 9:00 Keynote Event

Lionel Bascom and regional politicians

“Long Days Journey into Plight” Town Meeting

 

 

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CALL FOR PROPOSALS

 

Recharging the Sensorium welcomes proposals that use at least two different media in its conception and execution. Collaborative projects are highly encouraged, but we will also accept solo proposals that propose to use at least two forms of expression (e.g. text and image). We are especially keen on proposals that explore the territory of interdisciplinary artworks. Please note that there is a limited funding available to help students and faculty members complete their proposed projects.

 

Submissions should include the following information:

 

1)      Name and contact information of the parties involved in the project, including their affiliation with a CSU school or high school (e.g. student or faculty)

 

2)      Brief Project Description: Spend no more than a page describing what it is you intend to do, how it involves the use of more than one media, and what the desired outcome of your project will be. Please feel free to include examples to buttress your ideas. You could mention similar kinds of projects, or models that you are basing your own project on.

 

3)      Specifications: Please indicate what space and equipment you’ll need for the composition, production and display of the work in question. If it is an artwork, indicate the expected dimensions and how you would see it situated. If it is a collaborative theatrical or musical piece, or a film, indicate the expected duration and how you would like the piece screened and/or choreographed. If it is a web-based artwork, please indicate what software you will be using to create the piece and how you would like the work viewed. If it involves props or any other equipment (projector, streaming video server, television, DVD player, frames, etc.), please also indicate that information.

 

4)      Budget: To the best of your ability, please delineate how much you expect this project to cost and what you would spend any funding on. Please be aware that we only have a limited amount of funding at our disposal so requests may only be partially funded, depending on the feasibility and scope of the project. No budgets over $500 will be considered. Be as specific as you can.

 

5)      Letter of Recommendation: If you are applying for funding, please also include a letter of recommendation from a professor or other established figure who can vouch for your creative/technical abilities and follow through.

 

Email your proposal as a Word or .rtf document to: sensorium2007@gmail.com

 

Feel free to include any urls, related graphic or sound files, or other supplementary materials that might help us make our final determination.

 

The DEADLINE for submissions will be Wednesday, December 20th, 2006

 

INFORMATION about the submission process and general information will be found online shortly and a website address will be passed on to those individuals with projects accepted. 

 

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CONFERENCE ORGANIZERS:

JP Briggs (WCSU) briggsjp@wcsu.edu

Ravi Shankar (CCSU) shankarr@ccsu.edu

David Cappella (CCSU) cappellad@ccsu.edu

Andy Thibault (CT-IMPAC) Tntcomm82@cs.com

 

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LINKS:                                  The Connecticut Review        

                                                                                                 Drunken Boat

                                           CCSU Home      

                                                                                                                                  CCSU English Department

Photo by Allyson Clay from a recent collection on Drunken Boat.

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