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Course Prerequisite:
English 110 is a prerequisite for all literature courses in the English department.
Course Description:
In this course, we will read various short stories and novels of the nineteenth and twentieth centuries in order to better understand and appreciate the specific thematic and formal elements of prose fiction. For each novel or short story we read, we will be concerned with the telling as well as the tale. In addition to looking at aspects such as character, theme, and meaning, we will also examine the structure, style, and language of the fictions under consideration. The first half of the course will look at works by four writers from the early 1800s to the early 1900s; in this part of the course, we will be especially interested in the development of fictional technique and the relationship between narrative form and content. The second half of the course will focus on the genre of detective fiction as it has evolved from the late nineteenth century to the present. Because of its inherent focus on methods of storytelling, the narrative quest for truth, and the assessment of moral responsibility, detective fiction provides a rich and fascinating "case" for the serious study of fictional form.
Required Texts:
Grade Percentages:
|
10 (out of 12) quizzes |
20% |
|
In-class presentation/paper (2-3 pp.) |
15% |
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Midterm exam |
15% |
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Analytical paper (5 pp.) |
20% |
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Final exam |
20% |
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Class participation |
10% |
Course Requirements:
Attendance and Participation:
Attendance in class is required. Every absence after your third will lower your course grade by one grade per absence. If you miss more than six classes, you will not pass the course. You are responsible for material covered in class whether you are in class or not. If you do miss a class, see one of your classmates to find out what you have missed before you ask me. I will take roll at the beginning of every class. If you come to class late, it is your responsibility to let me know of your presence. If you are more than 10 minutes late to class, you will be marked absent.
I expect you to participate regularly in class. "Participation" means that you have done all of the reading assignments carefully, you have brought your text(s) to class, and you are prepared to contribute to class discussion with questions or responses. You will not receive credit for participation simply by attending class.
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SPECIAL NOTE ON PLAGIARISM AND ACADEMIC DISHONESTY If you pass off the ideas or words of someone else as your original work, whether intentionally or unintentionally, you are guilty of plagiarism. This can happen whether the ideas or words come from a published source, a spoken source (such as class lecture or discussion), or another student's paper. It can happen whether the ideas or words that you take are substantial or merely bits and pieces that you believe are unimportant. Because responsibility for one's own (and respect for one another’s) intellectual work is the very foundation for an academic community, plagiarism is considered an extremely serious offense. If you plagiarize, you will fail the course and be subject to further disciplinary action. We will discuss ways to cite sources properly and avoid plagiarism. If you have questions, please see me. |
Course Schedule:
| Date | Assignment |
| R 9/6 | Course introduction; Point of view, plot, and character |
| T 9/11 R 9/13 |
Mary Shelley, Frankenstein
(Letters from Mrs. Saville, Chapters 1-10) Frankenstein (Chapters 11-16) |
| T 9/18
R 9/20 |
Frankenstein (Chapters
17-end)
Emily Brontë, Wuthering Heights (Chapters 1-9) |
| T 9/25
R 9/27 |
Wuthering Heights
(Chapters 10-24)
Wuthering Heights (Chapters 25-end) |
| T 10/2
R 10/4 |
Discuss Wuthering Heights;
review for midterm
MIDTERM EXAM |
| T 10/9
R 10/11 |
James Joyce, "The
Sisters," "Araby," "Counterparts," "A Painful
Case" from Dubliners
"The Dead," from Dubliners |
| T 10/16
R 10/18 |
Virginia Woolf, To the
Lighthouse ("The Window," sections I-XIV)
To the Lighthouse ("The Window," sections XV-XIX) |
| T 10/23
R 10/25 |
To the Lighthouse
("Time Passes," "The Lighthouse," sections I-VII)
To the Lighthouse ("The Lighthouse," sections VIII-XIII) |
| T 10/30
R 11/1 |
Arthur Conan Doyle, "A
Scandal in Bohemia," "The Red-Headed League," "A Case of
Identity" from Adventures of Sherlock Holmes
"The Boscombe Valley Mystery," "The Adventure of the Blue Carbuncle," "The Adventure of the Speckled Band," from Adventures of Sherlock Holmes |
| T 11/6
R 11/8 |
Dashiell Hammett, The Maltese
Falcon (Chapters 1-10)
The Maltese Falcon (Chapters 11-end) |
| T 11/13
R 11/15 |
Raymond Chandler, The Big Sleep
(Chapters 1-13)
The Big Sleep (Chapters 14-25) |
| T 11/20
R 11/22 |
The Big Sleep (Chapters
26-end)
*NO CLASS—THANKSGIVING HOLIDAY** |
| T 11/27
R 11/29 |
Begin film adaptation of The
Big Sleep (dir. Howard Hawks, 1946)
Finish film, discuss film adaptation; PAPER DUE |
| T 12/4
R 12/6 |
Jonathan Lethem, Motherless
Brooklyn (pp.TBA)
Motherless Brooklyn (pp.TBA) |
| T 12/11
R 12/13 |
Motherless Brooklyn (pp.TBA)
Review for final exam |
| M 12/17 | TAKE-HOME FINAL EXAM, due in my office, 5pm |
page last updated 09.03.01