Note: ENG 110 or an equivalent is a prerequisite for all other English
courses.
Note: Sophomore standing is recommended for 200-level courses; junior standing is recommended for 300-level courses; junior or senior standing is required for 400-level courses. In addition, permission of the instructor is recommended for non-English majors.
ENG 099 REMEDIAL ENGLISH 3
Focus on improvement of basic writing skills, in order to meet entrance requirements for ENG 110. After review of grammar and punctuation, the course emphasizes sentence and paragraph formation and the development of the coherent essay. Students who are required to take ENG 099 must pass the course with a C- or better before successful completion of 30 hours of coursework. NOTE: Letter grade will affect GPA as if ENG 099 were a three-credit course, but these credits will not count toward the number of credits required for graduation. Fall, Spring, Summer.
ESL 108 ENGLISH AS A SECOND LANGUAGE: WRITING I
3
Formerly ENG 108. Intermediate to advanced writing in English for students whose native
language is not English. Transition to academic writing. Grammar
review. Skill Area I
ESL 109
ENGLISH AS A SECOND LANGUAGE: WRITING II
3
Formerly ENG 109. Advanced writing in English for students whose native language is
not English. Academic writing. Skill Area I
ENG 110
FRESHMAN COMPOSITION
3
Introductory course in expository writing designed to develop the
student's ability to write clearly, logically and effectively. Emphasis
on the composing process, organization, coherence, sentence and paragraph
structure and usage. An acceptable Central Connecticut equivalent is required for ENG 110.
See skills testing and remediation policy (page 36 of the catalog). Open only to
freshman and sophomores. Students who have not completed their ENG
110 requirement prior to achieving 61 credits are required to take both ENG 110 and 202. Skill Area I
LING 200 INTRODUCTION TO LINGUISTICS
3
Formerly ENG 200. The structure and system of language with English as the subject
of analysis: history, phonology, morphology, syntax, semantics, usage. Study Area III
ESL 201 ADVANCED STUDY IN ENGLISH AS A SECOND LANGUAGE 3
Formerly ENG 201. Prereq.: ENG 110 or permission of instructor. Selected aspects of advanced English for learners of English as a second language. May be repeated with different topics for a maximum of six credits. Irregular. Skill area I.
ENG 202 INTERMEDIATE COMPOSITION 3
Prereq.: ENG 110 or permission of the department chair. Intermediate course in
expository writing designed to expand the student's writing skills.
Emphasis on academic and career-oriented writing in the student's major
field or area of interest, including research skills and papers, professional
reports and resumes. Skill Area I
ENG 203 WORLD LITERATURE I
Survey of great works of world literature from its origins to 1650, with emphasis on literatures other than British and American. Study Area I [I] [L]
ENG 204 WORLD LITERATURE II
Survey of great works of world literature from 1650 to the present, with emphasis on literatures other than British and American. Study Area I [I] [L]
ENG 205 BRITISH LITERATURE I
3
Major British writers from the beginnings through the 18th century.
Not a prerequisite for ENG 206. Study Area I [I] [L]
ENG 206 BRITISH LITERATURE
3
Major British writers from the late 18th century to the present.
ENG 205 is not a prerequisite. Study Area I [I] [L]
ENG 210 AMERICAN LITERATURE I
3
American literature from the Colonial Period to the Civil War.
Not a prerequisite for ENG 211. Study Area I [L] AMS
ENG 211 AMERICAN LITERATURE II
3
American Literature from the Civil War to the present. ENG 210 is not a prerequisite. Study Area I [L] AMS
ENG 212 AFRICAN-AMERICAN LITERATURE
3
Survey of African-American writers from the eighteenth through twentieth
centuries. Study Area I [L] AMS
ENG 215 INTRODUCTION TO WOMEN
WRITERS
3
Introduction to women writers of the world, primarily in the eighteenth,
nineteenth and twentieth centuries. Study Area I [I] [L]
ENG 220 SHAKESPEARE
3
Selected tragedies, comedies and history plays. Study Area I [I] [L]
LING 230 THE STUDY OF LANGUAGE
3
Formerly ENG 230. General concepts of language as it evolved in thought, society,
literature and scientific analysis, with emphasis on universal characteristics
and relevance to contemporary English. Study Area III.
ENG 235 JOURNALISM I
3
The fundamentals of reporting and writing news and feature stories.
Covers the basics of news-gathering, newsroom practices, and ethics and
responsibilities of the journalist. Skill Area I
ENG 236 JOURNALISM II
3
Prereq.: ENG 235 or permission of instructor. This course
builds on ENG 235, emphasizing news-gathering procedures and the
challenges of writing on government, the law, and other areas of journalistic
specialization. Study Area I
ENG 250 CONTEMPORARY LITERATURE
3
Modern fiction, plays and poetry in relation to modern life. Skill Area I [L]
ENG 260 INTRODUCTION TO POETRY
3
A close analysis of poetry: prosody, diction, figurative language,
structure, tone, and theme. Selections read from entire range of
English and American poetry. Study Area I [L]
ENG 261 INTRODUCTION
TO FICTION
3
A close analysis of the elements, structure and technique of short
stories and novels. Study Area I [L]
ENG 262 INTRODUCTION
TO DRAMA
3
A close analysis of plays, representing major and minor genres of
drama (tragedy, comedy, tragicomedy, melodrama, farce, etc.), relationship
of genre, structure and statement. Study Area I [L]
ENG 270 DRAMATIC
ENACTMENT
3
Introduction to the theory and applications of creative drama as
an interpretive tool and a response to literature. (E)
ENG 274 STORYTELLING
3
Study of the history, art and technique of storytelling. Discussion
of the skills involved in order to develop the student's competency in
this oral tradition. Designed to enable the student to build a personal
repertoire of stories for performance. (O)
ENG 288 STUDIES
IN LITERATURE
3
Selected topics to be announced each semester. Students may
not take this course under the same topic more than once. Study Area I [L]
LING 300 LANGUAGE
ACQUISITION
3
Formerly ENG 300. Prereq.: ENG 110, LING 200. Study of how we acquire our first language, child language, regional
and social dialect, register, style and idiolect.
LING 312
INTRODUCTION TO SYNTAX
3
Formerly ENG 312. Prereq.: LING 200. Introduction to basic principles of
syntactic theory within contemporary grammatical frameworks and how they
generate grammatical sentences. Construction of sound syntactic arguments in
linguistic theory. Emphasis on English syntax. Irregular, on demand.
LING 313
INTRODUCTION TO PHONETICS AND PHONOLOGY
3
Formerly ENG 313. Prereq.: LING 200. Articulation, acoustics, and perception
of speech sounds in human language. Patterning and representation of sounds in
phonological systems. Phonological processes. Use of computerized Speech
Laboratory. Irregular.
ENG 332 MEDIEVAL
ENGLISH LITERATURE 3
Old English and Middle English literature, exclusive of Chaucer,
from the eighth through the 14th centuries. Most materials read in
translation.
ENG 333 THE
ENGLISH RENAISSANCE
3
Emphasis on British poetry and prose of the 16th and early 17th
centuries, including such writers as More, Erasmus, Sidney, Spenser, Marlowe,
Shakespeare and Jonson.
ENG 334 SEVENTEENTH-CENTURY POETRY AND PROSE
3
British poetry and prose of the earlier 17th century, including
Donne, Herbert, Marvell, Bacon, Burton and Browne.
ENG 335 RESTORATION
AND EIGHTEENTH-CENTURY LITERATURE
3
British poetry, prose, and drama from 1660 to 1798, including such
writers as Dryden, Congreve, Addison, Swift, Pope, Fielding, Gay, Johnson,
Goldsmith and Sheridan.
ENG 336 THE
ROMANTIC AGE
3
British Literature from Blake to 1832, including Wordsworth, Coleridge,
Byron, Shelley and Keats.
ENG 337 THE
VICTORIAN AGE
3
Poetry and non-fiction prose from 1832 to 1900, including poetry
of Tennyson, Browning, and Arnold and prose of Carlyle, Mill, Newman, and
Ruskin.
ENG 339 MODERN
BRITISH LITERATURE
3
Prose and poetry from 1900 to the present, including such writers
as Hopkins, Sitwell, Eliot, Yeats, Joyce, Woolf, Forster, Auden,
MacNiece, Spender, Graves, Thomas, and Orwell.
ENG 340 EARLY
AMERICAN LITERATURE
3
Early writers of the country through approximately the first third
of the 19th century, with emphasis on the ideological and social influences
which shaped their art.
ENG 341 THE
AMERICAN RENAISSANCE
3
Prose and poetry of American romantic authors in the 19th century.
Special emphasis on Poe, Hawthorne, Melville, Thoreau, Emerson, Whitman;
contemporary ideologies.
ENG 342 AMERICAN
REALISM AND NATURALISM
3
Study of the period after the Civil War to about 1915, including
such writers as Dickinson, Twain, James, Wharton, Crane and Dreiser.
ENG 343 MODERN AMERICAN LITERATURE
3
Major American writers in the period between World War I and
World War II; the ideological and social influences which shaped
their art. AMS
ENG 344 CONTEMPORARY AMERICAN LITERATURE 3
ENG 345 MODERN AFRICAN-AMERICAN LITERATURE
3
Study of selected writers, beginning with the Harlem Renaissance. AMS
ENG 360 THE BIBLE AS LITERATURE: OLD TESTAMENT
3
Major books of Old Testament important to literature, their literary
qualities and their historical and cultural backgrounds. (E)
ENG 361 THE BIBLE AS LITERATURE: NEW TESTAMENT
3
Major books of New Testament important to literature, their literary
qualities and their historical and cultural backgrounds. Part of
Apocrypha. (E)
ENG 362 GREEK
AND ROMAN LITERATURE
3
Such major Greek and Roman writers as Homer, the Greek dramatists,
Plato, Thucydides, Lucretius and Virgil.
ENG 365 THE
MODERN EUROPEAN NOVEL
3
Representative works by such writers as Flaubert, Tolstoy, Dostoyevsky,
Proust, Kafka and Camus.
ENG 370 CREATIVE WRITING: CREATIVE NONFICTION
3
Prose works that combine the authority of literature and fact. Subject matter may be drawn from popular culture, science, technology, nature, or personal experience. Students will research or investigate
potential topics, participate in workshops, and study various authors.
ENG 371 CREATIVE WRITING: FICTION I 3
Introduction to the art and craft of literary fiction with emphasis on developing fiction-writing ability and critical reading skills. Students will actively participate in workshop sessions.
ENG 372 CREATIVE WRITING: FICTION II
3
Prereq.:ENG 371 or permission of instructor. Presupposes proficiency in vocabulary, basic techniques, and workshop method of short fiction writing. Students are expected to have already written a considerable body of work and to be ready to submit stories at the semester's start.
ENG 373 CREATIVE WRITING: POETRY I
3
Introduction to the art and craft of writing poetry, emphasizing both poetry-writing ability and critical reading. Students are expected to fully participate in the workshop method of critique and revision in class.
ENG 374 CREATIVE WRITING: POETRY II
3
Prereq.: ENG 373 or permission of the instructor. Presupposes proficiency in vocabulary, poetry-writing techniques, workshop methods. Students must already have a considerable body of work, and generate new work. Irregular.
ENG 375 CREATIVE WRITING: AUTOBIOGRAPHY
3
Workshop-style course in writing about the transformation of one's life experience into literary art. Includes study of autobiography, discussion of readings, topic and development strategy sessions, and critiques of
work-in-progress. Irregular.
ENG 376 CREATIVE WRITING: ESSAY
3
Writing the familiar essay. Primarily a writing course, but
also an introduction to the familiar essay as a form in the tradition
of Montaigne: Hazlitt, Lamb, E.V. Lucas, E.B. White and Thoreau.
ENG 377 CREATIVE
WRITING: PLAYWRITING
3
Introduction to art and craft of playwriting, emphasizing writing ability and critical reading skills. Students are expected to actively participate in workshop sessions. Irregular.
ENG 378 CREATIVE
WRITING: SPECIAL TOPICS
3
Prereq.: One 300-level creative writing course or permission of instructor. Specific creative
writing genres taught on a rotating basis. May be repeated with
different topics for a maximum of 6 credits.
ENG 380 FEATURE
WRITING
3
Prereq.: ENG 235 or 236 or permission of instructor. Writing
and analysis of human interest articles; exploration of the newspaper and
magazine markets. (E)
ENG 381 EDITORIAL
WRITING
3
Prereq.: ENG 235 or 236 or permission of instructor. The study,
evaluation and writing of newspaper opinion pieces. (O)
ENG 382 TRAVEL
WRITING
3
Prereq.: ENG 235 or 236 or permission of the instructor. Introduction to the art and craft of travel
writing beginning with an overview of the genre and exploration of contemporary
works. Students will write essays and articles.
ENG 386 THE
LANGUAGE OF FILM
3
Development of visual terminology analogous to literary terminology
in order to understand better the intentions of the author of the film.
The qualities of picture, movement and editing are discussed in an effort
to develop critical interpretation and judgment. Attendance at film
screenings required. Of ENG 386 and 486, only one may be used to
satisfy major or minor requirements.
LING 400 ANALYTICAL
SKILLS IN LANGUAGE
3
Intensive analysis (syntactic, morphological, phonological) of selected
data from English and other languages. Particular emphasis on developing
analytical skills.
ENG 401 ADVANCED
COMPOSITION
3
Advanced course in expository writing designed for competent writers
who wish to refine their skills. Emphasis on vividness, precision
and impact, with attention to audience and style. Not applicable to M.A. in English programs.
ENG 402 Advanced Composition and Technology in the English Classroom
3
Prereq.: ENG 110 and acceptance in the Professional Program of Teacher Education; or permission of the instructor. Advanced writing for the refinement of writing skills.
Explores ways to teach writing. Addresses the use of technology in secondary English classrooms in regard to instruction, data management, and classroom management. [c]
ENG 403 TECHNICAL
WRITING
3
A course designed to assist students in planning, researching, structuring,
writing, revising, and editing technical materials. Emphasis on various
types of writing drawn from an industrial/professional context: reports,
correspondence, directories, manuals, technical articles. Not applicable to M.A. in English programs.
ENG 412 EDITING
3
Prereq.: ENG 235 or 236 or permission of instructor. Emphasis
on copy editing, headline writing, news judgment, photo handling, newspaper
layout, and electronic desktop publishing. Irregular.
ENG 416 MAGAZINE WRITING
3
Prereq.: ENG 235 or 236 or permission of instructor. The process
of researching, interviewing for, and writing magazine articles; preparation
for selling freelance articles. Irregular.
ENG 418 STUDIES
IN JOURNALISM
3
Prereq.: ENG 235 or 236 or permission of instructor. Selected
topics in journalism. Students may take this course under different
topics for a maximum of 6 credits. Irregular.
ENG 420 TEACHING ENGLISH IN SECONDARY SCHOOLS
3
Prereq.: ENG 402, and acceptance into the Professional Program of Teacher Education.
Methods and materials for teaching English language and literature. Includes 30 hours of guided observations in middle and high school classrooms. Not applicable to M.A. in English programs.
LING 430 STUDIES IN LINGUISTICS
AND THE ENGLISH LANGUAGE 3
Selected topics in linguistics. Students may take this course under
different topics for a maximum of 6 credits. Mode 6 (May be usedfor
Mode 7 credit by those with a complementary subject matter program
in linguistics)
LING 431 THE HISTORY OF
THE ENGLISH LANGUAGE
3
History, growth and structure of the English language. Spring.
LING 433
INTRODUCTION TO COMPUTATIONAL LINGUISTICS
3
Prereq.: LING 312 and 313. Investigation of computational models of
natural language processing for both parsing and production of lexical,
phonological, and syntactic units, including text to speech. The
relationship between linguistic theories and the algorithms that can implement
them. Irregular.
LING 434 SPEECH AND NATURAL
LANGUAGE PROCESSING
3
Prereq.: LING 312 and 313. Exploration of techniques and methods of
human-computer dialogues with primary focus on how computers recognize, parse,
and produce syntactic, semantic, pragmatic, and other discourse-theoretic
aspects of human languages such as English. Irregular.
ENG 445 AMERICAN DRAMA
3
Development of American drama and its contribution to literature.
Irregular.
ENG 448 STUDIES IN AMERICAN
LITERATURE 3
Selected topics in American literature. Students may take this course
under different topics for a maximum of 6 credits. AMS
ENG 449 MAJOR AMERICAN
AUTHOR
3
Intensive study of the writings, life, influence and historical
milieu of a major American author. Authors will vary each year.
May be repeated under different author subjects for a maximum of six credits.
ENG 450 CHAUCER
3
Readings in Chaucer, with special emphasis on The Canterbury Tales
and Troilus and Criseyde. Irregular.
ENG 451 MILTON
3
Readings in Milton's prose and poetry, with emphasis upon Paradise
Lost and Samson Agonistes. Irregular.
ENG 458 STUDIES IN BRITISH LITERATURE
3
Selected topics in British literature. Students may take this
course under different topics for a maximum of 6 credits.
ENG 461 SHAKESPEARE: MAJOR COMEDIES
3
Close analysis of major comedies and pertinent critical problems.
Irregular.
ENG 462 SHAKESPEARE: MAJOR TRAGEDIES
3
Close analysis of major tragedies and pertinent critical problems.
Irregular.
ENG 463 ELIZABETHAN AND JACOBEAN DRAMA
3
Major dramatists from Kyd to Ford, excluding Shakespeare. Irregular.
ENG 464 RESTORATION AND EIGHTEENTH-CENTURY DRAMA
3
English drama from 1660 to 1800, primarily comedy. Readings
from the works of such dramatists as Wycherly, Etherege, Dryden, Congreve,
Vanbrugh, Farquhar, Steele, Gay and Sheridan. Irregular.
ENG 470 THE VICTORIAN NOVEL
4
Representative Victorian novelists with special emphasis on Trollope,
Eliot, Dickens, Thackeray and Hardy. Irregular. [I]
ENG 474 THE CONTEMPORARY
AMERICAN NOVEL
3
American novels which have come to prominence since World War II
and the changing cultural environment which they reflect. Irregular.
ENG 475 THE BRITISH NOVEL
TO 1832
3
Form and content of the novel with readings selected from Behn,
Defoe, Richardson, Fielding, Sterne, Smollett, Johnson, Burney, Walpole, Austen, and Scott. Irregular.
ENG 476 THE
MODERN BRITISH NOVEL
3
Form and content of the novel with readings selected from Joyce,
Woolf, Ford, Conrad, Lawrence, Huxley, Forster, Greene, Waugh and
others. Irregular. [I]
ENG 477 MODERN
BRITISH POETRY
3
Major works of Hardy, Hopkins, Yeats, D.H. Lawrence, Owen, Sassoon,
Auden, Dylan Thomas, Larkin, Hughes and others. Irregular.
[I]
ENG 478 MODERN AMERICAN POETRY
3
The study of important American poets from Dickinson to the present.
Irregular.
ENG 480 MODERN IRISH LITERATURE
3
Study of the major themes and traditions in Irish writers of the
20th century. Included will be works by Yeats, Joyce, Synge, O'Casey,
O'Connor and others. Irregular. [I]
ENG 484 ADVANCED FICTION WORKSHOP
3
Prereq.: ENG 372 or permission of instructor. Presupposes mastery of the vocabulary and basic techniques of writing literary fiction and the workshop method. Students are expected to have a considerable body of work, and generate new work. Addresses
creative process, preparation of manuscripts, publishing, and academic and career options. Irregular.
ENG 485 ADVANCED POETRY WORKSHOP
3
Prereq.: ENG 374 or permission of instructor. Presupposes mastery of the vocabulary and basic techniques of writing poetry, and the workshop method. Students are expected to have a considerable body of work, and generate new work. Addresses
creative process, preparing poetry manuscripts, publishing, and academic and career options in creative writing. Irregular.
ENG 486 WORLD LITERATURE
AND FILM
3
Examines the historical, political, and aesthetic relationships of literature and film produced outside the US and Great Britain. Discussion of texts will be frequently structured around arguments from cosmopolitan theory and film theory. The course is not applicable to the MA in English, but may count as an elective in other grad programs. 3 credits.
ENG 487 20th-CENTURY
BRITISH DRAMA
3
Study of major British playwrights of the twentieth century.
Selections may be from the works of Shaw, Coward, Maugham, O'Casey, Eliot,
Beckett, Osborne, Pinter, Shaffer, Ayckbourn, Churchill, Gray, Hare,
Stoppard and others. Irregular.
ENG 488 STUDIES
IN WORLD LITERATURE
3
Selected topics in world literature. Students may take this
course under different topics for a maximum of 6 credits. Not applicable to M.A. in English programs.
ENG 490 INDIVIDUAL
GUIDED READING
1-3
Prereq.: Permission of chair. A conference course for English
majors in their senior year who have a GPA of at least 3.00 or better and
who wish to follow a planned program of guided reading.
ENG 491 CHILDREN'S
LITERATURE
3
Balanced selection of the best literature available to children.
Traditional forms of fables, legends, myths, epics, fairy tales and folk
tales of the world; examination of how these represent the universal needs
and aspirations of all cultures. Major authors and illustrators included. Not applicable to M.A. in English programs.
ENG 492 LITERATURE
FOR YOUNG ADULTS
3
Through extensive reading this course examines trends and issues,
forms and content, and authors and topics of contemporary books read by
and written expressly for adolescents. Recommended for secondary
teachers and reading specialists. Not applicable to M.A. in English programs.
ENG 494 Creative Writing: Independent Study
3
Prereq.: Permission of department chair. A senior conference course for students wishing to follow a planned program of writing/study. Typically, this course is for students wishing to prepare a publishing manuscript or
a portfolio of their work for application to graduate programs in creative writing. Irregular.
ENG 495 INTERNSHIP 1-6
Prereq.: Permission of faculty advisor and department chair. Intern projects under the guidance of an English faculty adviser
or the department chair. This course can help fulfill requirements
for minors in writing, journalism, TESOL and descriptive linguistics.
It cannot be used to help fulfill requirements for an English major or
minor.
LING 496 TESOL
METHODS
3
Principles, methods and materials for teaching English to non-English
speaking students at all levels. Acquisition and practice of basic
language teaching skills. Intercultural communication in the ESOL
classroom.
LING 497 SECOND
LANGUAGE ACQUISITION
3
Major theories of language acquisition and their potential application
to language learning. The theoretical bases of second language instruction.
Spring.
LING 498 TESOL
PRACTICUM
3
Prereq.: ENG 496. Students will teach ESOL under appropriate
supervision in the Intensive English Language Program. Spring.